Sleep Fictions: A Digital Companion

II.XIV.2 Mirth

We first see the figure of the sleeping beauty when, at the start of Book 2, Lily's cousin Jack Stepney reluctantly takes her in— on the condition that she not disturb his wife’s sleep. The novel thus emphasizes those female characters whose privilege provides impregnable sleep. Stepney adheres to the Victorian ideal of a woman’s need for undisturbed sleep in the tranquil domestic space, and his efforts to protect his wife call to mind a Prince’s protection of his Sleeping Beauty. Protected sleep, then, is a specifically feminine social practice—one only ascribed to wealthy women who engage in forms of exertion worthy of sacred restoration.

In this final scene, Lily is finally given the role of Sleeping Beauty but only by paying the price of death. In this distorted reflection of the married Stepneys, Selden stands guards over Lily's tranquil permanent sleep. 

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